MEET THE BEATLES INSANELY RARE ORIG '64 CAPITOL LP NO PUBLISHING CREDITS SHRINK

$

501

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

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·       THE BEATLES - MEET THE BEATLES - ORIGINAL 1964 CAPITOL RECORDS MONO LP T-2047

·       ORIGINAL U.S. PRESSING

MONSTROUSLY RARE TRUE FIRST PRESSING OF THE ALBUM WITHOUT ANY PUBLISHING CREDITES (BMI, ASCAP) ON THE LABEL

·       EASILY ONE OF THE RAREST PRESSING VARIATIONS OF ANY BEATLES ALBUM IN EXISTENCE – WE ARE REASONABLY CONFIDENT THAT LESS THAN 500 MONO COPIES WERE EVER PRESSED.

·       THE SMALL PRESSING PLANT DESIGNATION NUMBER ON THE BACK  COVER  IS:  3

·       ORIGINAL, FIRST VERSION OF THE COVER WITHOUT “GEORGE MARTIN, PRODUCER” LINE BELOW THE LINER NOTES

·       ORIGINAL 'DARK BROWN LETTER' COVER

·       ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW) BAND ALONG THE LABEL’S EDGE AND CAPITOL’S LOGO ON TOP (12 O’CLOCK POSITION) OF THE LABEL  WITHOUT THE "SUBSIDIARY…" INSCRIPTION ALONG THE PERIMETER OF THE LABEL

·       CAPITOL RECORDS, SCRANTON, PA  PRESSING (The 1st variations only appeared on the East Coast pressings. The West Coast production didn't start until the 2nd one had come into force)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       MINOT SPINDLE HOLE MARKS NOTED ON BOTH SIDES

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-F1/-G2'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Most can call it from memory: the image of the Beatles disembarking from their plane on a cold February day in New York. Less visible in the old black-and-white film footage, but perhaps more important, is a young girl clutching a copy of the Beatles' just-released second album, Meet the Beatles!, as if the world depended on it. And, to her and millions of other young people, it did. Meet the Beatles! wasn't simply an album; it gave the intangible yearnings of youth a voice and a face (actually, four voices and four faces), and it created a parallel world where escape was only a turntable away. Today, Meet the Beatles! is a collectible in danger of becoming forgotten, if not for the diligence of Beatles fans around the world. Compact discs have replaced vinyl, and the decision to release the original U.K. versions of the Beatles' albums in favor of their U.S. counterparts has rendered albums like Meet the Beatles! and The Beatles' Second Album obsolete. But nothing could make the music on these LPs obsolete. The infectious charm of songs like "I Want to Hold Your Hand," "I Saw Her Standing There," "It Won't Be Long," and "All My Loving" still weave their magic which, if less potent in an age jaded by a generation of musicians who had the benefit of the Beatles' songbook tucked underneath their arms, still carries an aura around it -- just as the first moon landing will never be eclipsed by subsequent forays into space. Meet the Beatles! soon topped the charts, aided by electric appearances on the Ed Sullivan Show that carried the flames of Beatlemania across the ocean, and (together with the single "She Loves You") kicked off a string of number one singles and albums. Most of the songs were holdovers from the U.K. album With the Beatles, released two months earlier. Capitol, who wisely decided that there might be money in releasing the band's work in the U.S., chose original tracks from their second U.K. album and added the contents of a recent U.S. single plus a B-side, John Lennon's ballad "This Boy," to the mix. This created the illusion that the Beatles wrote all their own material (since only Meredith Willson's "Till There Was You" was a non-original), an illusion dispelled by the necessarily cover-heavy The Beatles' Second Album. So, in many ways, Meet the Beatles! distilled what was best about the band: original material from Lennon, Paul McCartney, and even George Harrison (his first, "Don't Bother Me"). Everyone gets a chance to sing, including Ringo Starr ("I Wanna Be Your Man," which Rolling Stones manager Andrew Loog Oldham had coaxed from the band earlier), and the mix of rockers and ballads proves to be a beautiful blend. Let compact disc companies try their hand at historical revision: they can't steal the memories of Americans who still remember how they first met the Beatles, any more than they could pry that album from that young girl's hands.

 (EXCERPT FROM AN ONLINE REVIEW BY DAVE CONNOLLY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here  for the complete album listing)

Some Reasons Why You Should Own Original American Mono Beatles Albums:

I.                 These are genuine historical artifacts. Rock & Roll did not produce many works deserving to be called history; albums by Beatles are a noble exception to this rule.

II.            These pressings are coveted by EVERYONE and, despite the fact that Beatles sold almost a billion records, precious few original mono albums in good shape remain on the market.

III.        Mono pressings are, almost by definition, the very first pressings. They were in print for only short period of time, ranging from only few weeks (Magical Mystery Tour) to three years (Meet the Beatles).

IV.         First, mono pressings sound MUCH better and are much more vivid than the stereo versions.

V.              Mono versions contain different versions or mixes of many tracks; in some cases mono versions contain the only "proper" versions of the songs, which are only available only in FAKE stereo on stereo albums.

VI.         Beatles mono albums are all analog pressings; whereas everything else you can currently find on the market is a …~NMLD digital mastering.

VII.     The original Beatles mono albums are a terrific investment value, not likely to go the Lehman Brothers way.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

(e)           The no-publishing credits pressing of this title is much rarer than the regular BMI/ASCAP pressings. We estimate that copies of this album WITH publishing credits on the label outnumber the NO-CREDIT label pressings by a ratio of at least 200:1.

·                               THE COVER

COVER IS NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-        Cover has two tiny, almost invisible, pinholes (or staple holes) in one corner. These tiny holes are NOT cutout holes.

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Cover has a light "wrinkle" (crease)  in one of the corners. (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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