PEPPER ADAMS Quintet "10 To 4 At The 5-Spot" LP STEREO, DG, NM/G, RIVERSIDE 1104
$
22
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
Pepper Adams Quintet ?– 10 To 4 At The 5-Spot
Label: Riverside Records ?– RLP 1104 Series: Riverside Contemporary Series – Format: Vinyl, LP, Album, StereoCountry: US Released: 1959 Genre: Jazz Style: Bop
TracklistHide Credits
A1 'Tis (Theme) Written-By – Thad Jones 6:02 A2 You're My Thrill Written-By – Gorney*, Clare* 5:07 A3 The Long Two/Four Written-By – Donald Byrd 10:41 B1 Hastings Street Bounce Arranged By – Pepper AdamsWritten-By – Trad.* 11:22 B2 Yourna Written-By – Donald Byrd 7:01Companies, etc.
- Recorded At – Five Spot Café
Credits
- Baritone Saxophone – Pepper Adams
- Bass – Doug Watkins
- Design [Cover] – Paul Bacon (2)
- Drums – Elvin Jones
- Engineer – Ray Fowler
- Photography By [Cover Photograph] – Sheilagh Coulter
- Piano – Bobby Timmons
- Producer, Liner Notes – Orrin Keepnews
- Trumpet – Donald Byrd (tracks: A1, A3, B1, B2)
Notes
Recorded at the Five Spot Cafe, New York City; April 15, 1958.Stereo issue has black deep groove label with silver print and 'Bill Grauer Productions'.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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