SANDY DENNY SANDY/2d ALBUM NM '72 WHITE LABEL PROMO LP+
$
29
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· SANDY DENNY – THE SELF-TITLED FIRST ALBUM (“SANDY”) - ORIGINAL 1972 A&M RECORDS STEREO LP SP-4371
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· The record has a Leo Hulka’ initials (LH) clearly stamped or hand-etched in the trail-off vinyl (dead wax) [Leo Hulka served as a master engineer]
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 7.
· THE RECORD HAS A 'STERLING' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Sandy Denny's second post-Fairport solo offering, produced by then-future husband Trevor Lucas, is a beautiful blend of the traditional style with which she is most often associated and a slightly more lavish sound that would become more prevalent in her later work. Lucas does an excellent job of balancing the two and creates an exquisite backdrop for Denny's gorgeous songs and majestic voice. Nearly every track has the radiance and timelessness of her best Fairport work, along with an accessibility she had merely hinted at prior to this. "Listen, Listen," with its soaring chorus and bed of strings and mandolin, the lovely "The Lady," and the layered a cappella vocal arrangement of Richard Fariña's "Quiet Joys of Brotherhood" (featuring Dave Swarbrick's haunting solo violin coda) are perfect examples of Denny's enormous talents, and only a few of the many pleasures found here. Touches such as lush strings, Allen Toussaint's horn arrangement on "For Nobody to Hear," Sneaky Pete Kleinow's steel guitar and former Fairport partner Richard Thompson's guitars and mandolin bring out the many dimensions in Denny's music without obscuring it. Sandy also boasts her best collection of original material, as well as terrific covers of Dylan's "Tomorrow Is a Long Time," featuring Linda Thompson Peters on backing vocals, and the aforementioned "Quiet Joys of Brotherhood." If you're simply looking for a quick introduction to a wonderful songwriter and one of the finest voices in popular music, go for the single-disc best-of collection, but if you would like to hear Sandy Denny's definitive (solo) musical statement, search out Sandy.
(EXCERPT FROM AN ONLINE REVIEW BY BRETT HARTENBACH, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 30:1.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- Cover has some visible ring wear; On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 5.
- Cover has a small, neat, circular cutout hole in one of the corners
- The gatefold cover has partially split seams on 1 out of 4 "legs" of the cover (about 2 inches / 1 inch = 2.5 centimeters).
- Visible shelf wear noted on the top and bottom seams
- The cover has a few tiny scratch marks on the back panel (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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