SXL 6239 CURZON BOSKOVSKY 'VIENNA CHAMBER MUSIC FESTIVAL' DECCA 1966 BOX SETX4LP
£
70
$
93
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Description
Mozart / Schubert / Haydn / Beethoven
Clifford Curzon / Willi Boskovsky
Members Of The Wiener Oktett
Vienna Mozart Ensemble
The Weller Quartet ?
Vienna Chamber Music Festival
Country:UK Released:1966 Genre:Classical Style:Romantic, Classical
Tracklist
Wolfgang Amadeus Mozart: Quintet In A Mojor For Clarinet And Strings K. 581 A1 I. Allegro A2 II. Larghetto A3 III. Menuetto - Trio 1 - Trio 2 A4 IV. Allegretto
Wolfgang Amadeus Mozart: March In D, K.445, Minuets From K.103, Contradances K.609 "Non Piu Andrai" B1 March In D, K.445 B2 Minuets From K.103 Nos. 11-14 B3 Five Contradances K.609 "Non Piu Andrai" B4 Minuets From K.103 Nos. 15-19
Ludwig Van Beethoven: Septet In E Flat Major Op. 20 C1 I. Adagio-Allegro Con Brio C2 II. Adagio Cantabile C3 III. Tempo Di Minuetto D1 IV. Tema Con Variazioni: Andante D2 V. Scherzo: Allegro Molto E Vivace D3 VI. Andante Con Moto Alla Marcia-Presto
Franz Schubert: Piano Quintet In A Major, D.667 "The Trout" E1 I. Allegro Vivace E2 II. Andante E3 III. Scherzo: Presto E4 IV. Theme And Variations: Andantino F1 V. Allegro Giusto
Joseph Haydn: String Quartet Op. 33 No. 2 In E Flat Major "The Joke" F2 I. Allegro Moderato Cantabile F3 II. Scherzo: Allegro F4 III. Largo Sostenuto F5 IV. Finale: Presto
Franz Schubert: Octet In F Major, D.803 G1 I. Adagio Allegro G2 II. Adagio G3 III. Allegro Vivace H1 IV. Andante H2 V. Minuet: Allegretto H3 VI. Finale: Andante Molto-Allegro
Credits
- Bassoon – Rudolf Hanzl (tracks: C1 to C3, D1 to D3, G1 to G3, H1 to H3)
- Cello –
- Ludwig Beinl (tracks: F2 to F5),
- Nikolaus Hübner (tracks: A1 to A4, C1 to C3, D1 to D3, E1 to E4, F1, G1 to G3, H1 to H3)
- Clarinet – Alfred Boskovsky (tracks: A1 to A4, C1 to C3, D1 to D3, G1 to G3, H1 to H3)
- Composed By –
- Franz Schubert (tracks: E1 to E4, F1, G1 to G3, H1 to H3),
- Joseph Haydn (tracks: F2 to F5),
- Ludwig van Beethoven (tracks: C1 to C3, D1 to D3),
- Wolfgang Amadeus Mozart (tracks: A1 to A4, B1 to B4)
- Conductor – Willi Boskovsky (tracks: B1 to B4)
- Double Bass – Johann Krump (tracks: C1 to C3, D1 to D3, E1 to E4, F1, G1 to G3, H1 to H3)
- Ensemble –
- Members Of The Vienna Octet* (tracks: A1 to A4),
- Members Of The Wiener Oktett* (tracks: C1 to C3, D1 to D3, E1 to E4, F1, G1 to G3, H1 to H3),
- The Weller Quartet* (tracks: F2 to F5),
- Vienna Mozart Ensemble* (tracks: B1 to B4)
- Horn – Josef Veleba (tracks: C1 to C3, D1 to D3, G1 to G3, H1 to H3)
- Illustration [Engraving "The Mariahilf Church And Convent, Vienna" (1792)] – Carl Schutz*
- Piano – Clifford Curzon (tracks: E1 to E4, F1)
- Viola –
- Günter Breitenbach* (tracks: A1 to A4, C1 to C3, D1 to D3, E1 to E4, F1, G1 to G3, H1 to H3),
- Helmut Weis (tracks: F2 to F5)
- Violin –
- Anton Fietz (tracks: A1 to A4),
- Philipp Matheis (tracks: A1 to A4, G1 to G3, H1 to H3),
- Willi Boskovsky (tracks: C1 to C3, D1 to D3, E1 to E4, F1, G1 to G3, H1 to H3)
- Violin [1st] – Walter Weller (tracks: F2 to F5)
- Violin [2nd] – Alfred Staar (tracks: F2 to F5)
Notes
This Record is ffss (Full Frequency Stereophonic Sound)- Matrix / Runout (Side A): ZAL 6143-2G
- Matrix / Runout (Side B): ZAL 6854-2W
- Matrix / Runout (Side C): ZAL 4461-1E
- Matrix / Runout (Side D): ZAL 4462-3M
- Matrix / Runout (Side E): ZAL 7235-1W
- Matrix / Runout (Side F): ZAL 7236-1W
- Matrix / Runout (Side G): ZAL 4069-2E
- Matrix / Runout (Side H): ZAL 4070-3E
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- EXCELLENT
Vinyls:- EXCELLENT
Minimal light surface marks and superficial marks visible,
but there is very little lessening in sound quality
apart from light vinyl crackle in places
Labels:- EXCELLENT +
Insert:- COMES WITH 8 PAGE BOOKLET
WITH MINIMAL VERY, VERY,LIGHT FOXING IN PLACES
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £7 E.U. / UKRAINE £16.50 REST OF THE WORLD** £22.50
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***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
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All items will be posted in custom made mailers in plastic sleeves and using two card liners.
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PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
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My records are described according to The Record Collector's grading system.
This was originated by The Record Collector to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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