THE CRICKETS (BUDDY HOLLY) IN STYLE WITH ULTRA-RARE ORIG '60 CORAL MONO LP NM
$
34
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WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· CRICKETS – IN STYLE WITH THE CRICKETS (THE FIRST ALBUM WITHOUT BUDDY HOLLY) – ORIGINAL 1960 CORAL RECORDS MONO LP CRL-57320
· ORIGINAL U.S. PRESSING
· ORIGINAL MAROON CORAL LABEL WITH SILVER PRINT.
· INCLUDES ORIGINAL VERSION OF 'I FOUGHT THE LAW' – RECORDED FIVE YEARS PRIOR TO BOBBY FULLER’S LEGENDARY COVER.
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL “TEXTURED” (NIBBED) COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…/-2…'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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The sole album by the Crickets without Buddy Holly and prior to their move to Liberty Records is superior to most of what they did for Liberty, and it's certainly closer in sound to Buddy Holly's late-1950s discs. It's not the same as hearing Buddy Holly: he's a singer/songwriter/guitarist that cannot be replaced. It is, nevertheless, good Tex-Mex rock, particularly on the tunes where Sonny Curtis had a hand in the songwriting. By far the most significant cut is the original version of "I Fought the Law," an arrangement pretty close to that of Bobby Fuller's classic 1966 hit version, but not as full and punchy, particularly in the backup vocals. This LP was definitely influential on the Bobby Fuller Four, as they covered no less than three of the songs: "I Fought the Law," Sonny Curtis' "Baby, My Heart," and "Love's Made a Fool of You," which made the Top 30 in the U.K. The other cuts are not as strong (particularly the covers of "Great Balls of Fire" and "Rockin' Pneumonia and the Boogie Woogie Flu"), but they're still honest and true -- something that can't be said of a lot of famous groups that have decided to keep on recording when the star of the show becomes unavailable. The sweet ballad "More Than I Can Say" would become a #2 hit for Leo Sayer in 1980. The German CD reissue on MCA adds six bonus cuts from non-LP singles and outtakes, which are definitely worth having and were otherwise only available on the German compilation Rare Items, 1959-60. These include the original version of "Someone, Someone," taken to #2 in the U.K. by Brian Poole and the Tremeloes in 1964, and "Don'Cha Know," covered by the Searchers.
(EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, TEXTURED COVER):
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- A visible water stain affects about 30% of the cover along the bottom seam; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible.
- Cover has a partially split top seam (between 6 and 8 inches /15 to 20 centimeters)
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine (nothing significant)
- Cover has a few minor wrinkles (bubbles in paper slick) on the back panel
- Visible shelf wear noted on the top seam
- Cover has one corner slightly worn / dinged / bent. (nothing significant)
- Cover has a visible "wrinkle"(crease) in one of the corners.
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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