The Beatles - Stereo 14LP Box Set - New - Sealed - FREE UK P&P Lennon McCartney

	£		265
	$		351

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Overseas customers - the last one we sent to Russia was £100, Western Europe will be a lot less.

Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper's Lonely Heart Club Band's cut-outs, and special inner bags for some of the titles. Each album will be available individually, and accompanied by a stunning, elegantly designed 252-page hardbound book in a lavish boxed edition which is limited to 50,000 copies worldwide.

The book, exclusive to the boxed edition, is authored by award-winning radio producer Kevin Howlett and features a dedicated chapter for each of the albums, as well as insight into the creation of the remasters and how the vinyl albums were prepared. The 12”x12” book showcases a wealth of photographs spanning The Beatles' recording career, including many images which were not included in the 2009 CD booklets.

The titles include The Beatles' 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group's core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities.

Since it was recorded, The Beatles' music has been heard on a variety of formats – from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We 'play' records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.

In September, 2009, The Beatles' remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.

For producer Rick Rubin, surveying The Beatles' recorded achievements is akin to witnessing a miracle. “If we look at it by today's standards, whoever the most popular bands in the world are, they will typically put out an album every four years,” Rubin said in a 2009 radio series interview. “So, let's say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability.”

There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers.

The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this.

The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

Artist - The Beatles

PLEASE PLEASE ME:
Side A:
1. I Saw Her Standing There
2. Misery
3. Anna (Go To Him)
4. Chains
5. Boys
6. Ask Me Why
7. Please Please Me

Side B:
8. Love Me Do
9. P.S. I Love You
10. Baby It's You
11. Do You Want To Know A Secret
12. A Taste Of Honey
13. There's A Place
14. Twist And Shout


WITH THE BEATLES:
Side A:
1. It Won't Be Long
2. All I've Got To Do
3. All My Loving
4. Don't Bother Me
5. Little Child
6. Till There Was You
7. Please Mister Postman

Side B:
8. Roll Over Beethoven
9. Hold Me Tight
10. You Really Got A Hold On Me
11. I Wanna Be Your Man
12. Devil In Her Heart
13. Not A Second Time
14. Money (That's What I Want)


A HARD DAY'S NIGHT:
Side A:
1. A Hard Day's Night
2. I Should Have Known Better
3. If I Fell
4. I'm Happy Just To Dance With You
5. And I Love Her
6. Tell Me Why
7. Can't Buy Me Love

Side B:
8. Any Time At All
9. I'll Cry Instead
10. Things We Said Today
11. When I Get Home
12. You Can't Do That
13. I'll Be Back


BEATLES FOR SALE:
Side A:
1. No Reply
2. I'm A Loser
3. Baby's In Black
4. Rock And Roll Music
5. I'll Follow The Sun
6. Mr Moonlight
7. Kansas City / Hey-Hey-Hey-Hey
8. Eight Days A Week

Side B:
9. Words Of Love
10. Honey Don't
11. Every Little Thing
12. I Don't Want To Spoil The Party
13. What You're Doing
14. Everybody's Trying To Be My Baby


HELP!:
Side A:
1. Help!
2. The Night Before
3. You've Got To Hide Your Love Away
4. I Need You
5. Another Girl
6. You're Going To Lose That Girl
7. Ticket To Ride

Side B:
8. Act Naturally
9. It's Only Love
10. You Like Me Too Much
11. Tell Me What You See
12. I've Just Seen A Face
13. Yesterday
14. Dizzy Miss Lizzy


RUBBER SOUL:
Side A:
1. Drive My Car
2. Norwegian Wood (This Bird Has Flown)
3. You Won't See Me
4. Nowhere Man
5. Think For Yourself
6. The Word
7. Michelle

Side B:
8. What Goes On
9. Girl
10. I'm Looking Through You
11. In My Life
12. Wait
13. If I Needed Someone
14. Run For Your Life


REVOLVER:
Side A:
1. Taxman
2. Eleanor Rigby
3. I'm Only Sleeping
4. Love You To
5. Here, There And Everywhere
6. Yellow Submarine
7. She Said She Said

Side B:
8. Good Day Sunshine
9. And Your Bird Can Sing
10. For No One
11. Doctor Robert
12. I Want To Tell You
13. Got To Get You Into My Life
14. Tomorrow Never Knows


SGT. PEPPER'S LONELY HEARTS CLUB BAND:
Side A:
1. Sgt. Pepper's Lonely Hearts Club Band
2. With A Little Help From My Friends
3. Lucy In The Sky With Diamonds
4. Getting Better
5. Fixing A Hole
6. She's Leaving Home

Side B:
7. Being For The Benefit Of Mr Kite!
8. Within You Without You
9. When I'm Sixty Four
10. Lovely Rita
11. Good Morning Good Morning
12. Sgt. Pepper's Lonely Hearts Club Band [Reprise]
13. A Day In The Life


MAGICAL MYSTERY TOUR:
Side A:
1. Magical Mystery Tour
2. The Fool On The Hill
3. Flying
4. Blue Jay Way
5. Your Mother Should Know
6. I Am The Walrus

Side B:
7. Hello, Goodbye
8. Strawberry Fields Forever
9. Penny Lane
10. Baby, You're A Rich Man
11. All You Need Is Love


THE BEATLES:
LP1:
Side A:
1. Back in the U.S.S.R.
2. Dear Prudence
3. Glass Onion
4. Ob-La-Di, Ob-La-Da
5. Wild Honey Pie
6. The Continuing Story Of Bungalow Bill
7. While My Guitar Gently Weeps
8. Happiness Is A Warm Gun

Side B:
9. Martha My Dear
10. I'm So Tired
11. Blackbird
12. Piggies
13. Rocky Raccoon
14. Don't Pass Me By
15. Why Don't We Do It In The Road?
16. I Will
17. Julia

LP2:
Side C:
1. Birthday
2. Yer Blues
3. Mother Nature's Son
4. Everybody's Got Something To Hide Except Me And My Monkey
5. Sexy Sadie
6. Helter Skelter
7. Long, Long, Long

Side D:
8. Revolution 1
9. Honey Pie
10. Savoy Truffle
11. Cry Baby Cry
12. Revolution 9
13. Good Night


YELLOW SUBMARINE:
Side A:
1. Yellow Submarine
2. Only A Northern Song
3. All Together Now
4. Hey Bulldog
5. It's All Too Much
6. All You Need Is Love

Side B:
7. Pepperland
8. Sea Of Time
9. Sea Of Holes
10. Sea Of Monsters
11. March Of The Meanies
12. Pepperland Laid Waste
13. Yellow Submarine In Pepperland


ABBEY ROAD:
Side A:
1. Come Together
2. Something
3. Maxwell's Silver Hammer
4. Oh! Darling
5. Octopus's Garden
6. I Want You (She's So Heavy)

Side B:
7. Here Comes The Sun
8. Because
9. You Never Give Me Your Money
10. Sun King
11. Mean Mr Mustard
12. Polythene Pam
13. She Came In Through The Bathroom Window
14. Golden Slumbers
15. Carry That Weight
16. The End
17. Her Majesty


LET IT BE:
Side A:
1. Two Of Us
2. Dig A Pony
3. Across The Universe
4. I Me Mine
5. Dig It
6. Let It Be
7. Maggie Mae

Side B:
8. I've Got A Feeling
9. One After 909
10. The Long And Winding Road
11. For You Blue
12. Get Back


PAST MASTERS (VOLUMES 1 & 2):
LP1:
Side A:
1. Love Me Do - Original Single Version
2. From Me To You
3. Thank You Girl
4. She Loves You
5. I'll Get You
6. I Want To Hold Your Hand
7. This Boy
8. Komm Gib Mir Deine Hand
9. Sie Liebt Dich

Side B:
10. Long Tall Sally
11. I Call Your Name
12. Slow Down
13. Matchbox
14. I Feel Fine
15. She's A Woman
16. Bad Boy
17. Yes It Is
18. I'm Down

LP2:
Side C:
1. Day Tripper
2. We Can Work It Out
3. Paperback Writer
4. Rain
5. Lady Madonna
6. The Inner Light
7. Hey Jude
8. Revolution

Side D:
9. Get Back
10. Don't Let Me Down
11. The Ballad Of John And Yoko
12. Old Brown Shoe
13. Acro

Catalogue No. - 633 8091

Record Condition - Mint (Sealed)

Box Condition - Mint

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PAYMENT

Payment can be made by Paypal Only.

We accept Paypal cheques, but need to wait for clearance before despatching your item.

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POSTAGE

At Netdiscs we ensure you get the postage and packing service you require - we can send by 1st, 2nd or Recorded delivery within the UK and Air or Airsure to any overseas destination.  We no longer use surface mail due to the length of delivery time and any overseas items over £20 will now have to be sent by Airsure.

We hate being overcharged for postage, it’s money for nothing. So we aim to keep our postage costs fair and transparent. Obviously each item is different, but we’ve done a fair bit of work to establish the correct postage price before posting.  If you feel hard done by, please get in contact.

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PACKAGING

We’re record lovers too and hate receiving items marked as ‘Mint’ and turns out to be scuffed or ripped. This can be avoided!

We use top quality packaging materials - so all our items arrive with you, the buyer, in top notch condition.

Please note: all records are removed from their sealed packaging UNLESS REQUESTED OTHERWISE. Once removed from their packaging, they are kept in a 250g polysleeve which ensures protection. The record(s) and its sleeves are then placed between 2 stiffeners. This ensures that everything arrives exactly as you’d want it to.

Remember - we all need to recycle where possible, so with larger orders and larger items, we re-use the packing boxes and protective wrapping received from our suppliers.

The charges for packaging are based on the following:

FORMAT

PACKAGING

COST

7”

1 polysleeve, 2 stiffeners, 1 card envelope

£0.80

10”

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

12” / LP

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

2 x12”

2 polysleeve, 2 stiffeners, 1 card envelope

£1.10

CD

1 Jiffy bag

£0.60

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Grading based on Record Collector Guidelines:

Mint   The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as sealed or unplayed should be Mint.

Excellent   The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good   The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

Good   The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.

Fair   The record is still just playable but has not been cared for properly and displays considerable surface noise, it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor   The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

Bad   The record is unplayable or might even be broken, and is only of use as a collection-filler.

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