The Hot Spot Soundtrack LP Miles Davis John Lee Hooker Jack Nitzsche Jazz Blues
£
22
$
29
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Description
Various ?– The Hot Spot - Original Motion Picture Soundtrack
Label: Antilles ?– AN 8755 Format: Vinyl, LP, AlbumCountry: UK Released: 1990 Genre: Jazz, Blues, Stage & Screen Style: Soundtrack
Tracklist
A1 Coming To Town 3:06 A2 Empty Bank 2:19 A3 Harry's Philosophy 2:46 A4 Dolly's Arrival 1:17 A5 Harry And Dolly 2:49 A6 Sawmill 3:03 A7 Bank Robbery 4:31 B1 Moanin' 3:20 B2 Gloria's Story 3:24 B3 Harry Sets Up Sutton 1:41 B4 Murder 4:08 B5 Blackmail 2:09 B6 End Credits 5:19Companies, etc.
- Phonographic Copyright (p) – Island Records Inc.
- Licensed To – Island Records Ltd.
- Published By – Copyright Control
Credits
- Acoustic Guitar – Taj Mahal (tracks: A4, A5, B3, B5, B6)
- Bass – Tim Drummond (tracks: A1, A2, A4 to A7, B3 to B6)
- Composed By – Jack Nitzsche
- Design, Photography By – Deborah Malian
- Drums – Earl Palmer (tracks: A1, A2, A4, A7, B5, B6)
- Executive-Producer – Chris Blackwell, Dennis Hopper (2)
- Guitar – John Lee Hooker (tracks: A1, A3, A5 to B1, B3 to B6)
- Guitar [Slide] – Roy Rogers (2) (tracks: A1, A2, A4, A7, B3 to B6)
- Guitar, Vocals – Taj Mahal (tracks: A2, A7)
- Keyboards – Bradford Ellis (2) (tracks: B2, B4)
- Producer – Jack Nitzsche, Michael Hoenig
- Recorded By, Mixed By – Pamela Neal
- Recorded By, Mixed By [Assistance] – Steve Holroyd
- Trumpet – Miles Davis (tracks: A1, A2, A5 to A7, B2 to B6)
- Vocals – John Lee Hooker (tracks: A1, A3, A5, A6, B1, B3, B4)
Notes
John Lee Hooker, Miles Davis, Taj Mahal, Roy Rogers (2), Tim Drummond, Earl Palmer and Bradford Ellis (2) are credited as main artists on the front cover and labels.On the sleeve:
Original music composed by Jack Nitzsche
Produced by Jack Nitzsche & Michael Hoenig.
Executive Producer: Dennis Hopper (2).
On the labels:
All cues composed by Jack Nitzsche
Produced by Jack Nitzsche & Michael Hoenig.
Executive Producers: Dennis Hopper (2) & Chris Blackwell.
Barcode and Other Identifiers
- Matrix / Runout (Label Side A): 846 813-1-A
- Matrix / Runout (Label Side B): 846 813-1-B
Records graded to Record Collector guidelines
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES
As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
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