Vitor Assis Brasil ?Desenhos 1966 LP Latin Jazz Made in Brazil Forma FM-17 RARE
  $   600

 


$ 600 Sold For
Jun 9, 2017 Sold Date
$   750 Start price
1 Number Of Bids
  USA Country Of Seller
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Description

[Very Rare] - [Vinyl looks EX+/ NM-] Sleeve looks EX+.

  Vitor Assis Brasil ?– Desenhos

Label:
 Forma ?– FM-17
Format:
 Vinyl, LP, Album, 12", 33rpm, 12"
Country:
 Brazil
Released:
 1966
Genre:
 Jazz
Style:
 Latin Jazz

Tracklist
 
A1     Naquela Base
    Written-By – João Donato
A2     Devaneio
    Written-By – Vitor Assis Brasil
A3     Primavera
    Written-By – Carlos Lyra, Vinicius de Moraes
A4     Simplesmente
    Written-By – Edison Lôbo
A5     Feitiço Da Vila
    Written-By – Noel Rosa
B1     Dueto
    Written-By – Vitor Assis Brasil
B2     Amor De Nada
    Written-By – Marcos Valle, Paulo Sérgio Valle
B3     Eugenie
    Written-By – Vitor Assis Brasil
B4     Minha Saudade
    Written-By – João Donato
B5     Desenhos
    Written-By – Vitor Assis Brasil

Companies, etc.

    Distributed By – Companhia Brasileira De Discos

Credits

    Alto Saxophone – Vitor Assis Brasil*
    Artwork – Kumbuka
    Bass – Edison Lôbo
    Directed By, Liner Notes, Producer – Roberto Quartin
    Drums – Chico "Batera"
    Engineer – Ademar Rocha, Armando Dulcetti
    Photography By – Pedro Moraes
    Piano – Tenório Júnior
    Producer – Wadi Gebara

Notes

- Vitor Assis Brasil
Profile:
Brazilian jazz saxophonist (Rio de Janeiro, August 28, 1945 - Rio de Janeiro, April 24, 1981). Twin brother of pianist João Carlos Assis Brasil.

- To many this is where Brazilian jazz truly began: 1966, the legendary saxophonist and composer Vitor Assis Brasil laid down his debut album at just 21. Still as smoky and sentimental as it was 50 years ago (but sadder knowing his life was cut short by a rare disease just 15 years later), the playful sense of space, rhythm and technique displayed (and a slight freedom from the US and European sounds of the time due to him living in Brazil) are delivered with a rawness, clarity and sense of fun such as the R&B double bass backdrop of "Simplesmente" or the cat and mouse style counterplay between the horns on "Dueto". A touching and ultimately timeless piece of jazz history.



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