WEILL Threepenny Opera REFERENCE RECORDINGS RR29 Keith Johnson AUDIOPHILE Sealed
  $   45

 


$ 45 Sold For
Sep 12, 2012 Sold Date
Sep 5, 2012 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

WEILL Threepenny Opera Suite
Chicago Pro Musica
New & Sealed Audiophile Vinyl Record


Record Label: Reference Recordings RR 29

Original Reference Recording release in beautiful Mint, still sealed condition. A Prof. Keith Johnson Pure Analogue recording.

For over 30 years Reference Recordings have been making some of the greatest sounding recordings on Earth. Engineer Prof. Keith O. Johnson, renowned for his more than 50 pioneering years of recording and equipment design, has always been at the forefront of high-resolution audio. He has engineered nearly 150 classical and jazz albums, including seven that have been nominated for and two that have won Grammys for Best Engineered Classical Recording.

Record is new and still sealed in it's original plastic, Japanese-style resealable sleeve. Seal has never been broken. There is a price sticker on the frnt of the plastic sleeve. Corners are sharp, colors vibrant and spine is straight. There are no flaws or blemishes. 100% mint.

Side 1
Weill
Threepenny Opera Suite
  Overture
  Moritat Of mack The Knife
  Instead-Of Song
  Ballad Of The Easy Life
  Polly's Song
  Tango-Ballad
  Cannon Song
  Finale

Varese
Octandre
  I.
  II.
  III.

Side 2
Bowles
Music For A Farce
  I.
  II.
  III.
  IV.
  VI.
  VII.
  VIII.

Martinu
La Revue De Cuisine
  Prologue
  Tango
  Charleston
  Finale

Review: The Chicago Pro Musica is a small group of (mainly) wind and brass players (mainly) from the Chicago Symphony Orchestra. They are entirely wonderful in this diverse collection of mid-20th century classics. Weill's Threepenny Opera Suite will sound familiar to anyone who has heard Mack the Knife. Paul Bowles' Music for a Farce (not "Face") is a delightful discovery. Yes, this is Paul Bowles the late American novelist, author of The Sheltering Sky and longtime resident of Morocco. His music is generally spare and neoclassical, and he displays a droll wit in this piece. I highly recommend this recording.


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