WES MONTGOMERY TRIO Japanese Press STEREO FROM75-WITH HIS INCREDIBLE JAZZ GUITAR
  $   21

 


$ 21 Sold For
Jan 9, 2021 Sold Date
Jan 2, 2021 Start Date
$   20 Start price
2   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

WES MONTGOMERY TRIO Japanese Press STEREO FROM75-WITH HIS INCREDIBLE JAZZ GUITAR

A VG++ LP ON RIVERSIDE SMJ 6080

FROM 1975 A JAPANESE REISSUE OF HIS SEMINAL 1959 LP

WHY ARE RIVERSIDE STEREOPHONIC RECORDS SPECIAL? AS MENTIONED ON SOME RIVERSIDE BACK LINER NOTES:Riverside stereo recording is designed to achieve a true spacial effect through proper microphone placement. Avoiding the so called "ping pong" effect (an extreme left-right division by which sound is heard through the two speakers only, with a silent "hole" between them), our aim is to retain the natural sounds as you would hear them originally. This recording method, plus the finest of re-recording techniques, enables us to provide you with a truly three dimensional experience in sound, in which a "phantom" speaker seems to exist between your actual two speakers, providing a continuous arc of sound.

PRODUCED BY ORRIN KEEPNEWS AND RECORDED BY JACK HIGGINS

WITH THE ORIGINAL ONE PAGE JAPANESE INSERT IN JAPANESE AS SHOWN

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Wes Montgomery was one of the great jazz guitarists, a natural extension of Charlie Christian, whose appealing use of octaves became influential and his trademark. He achieved great commercial success during his last few years, only to die prematurely. It had taken Wes a long time to become an overnight success. He started to teach himself guitar in 1943 (using his thumb rather than a pick) and toured with Lionel Hampton during 1948-1950; he can be heard on a few broadcasts from the period. But then Montgomery returned to Indianapolis, where he was in obscurity during much of the 1950s, working a day job and playing at clubs most nights. He recorded with his brothers vibraphonist Buddy and electric bassist Monk during 1957-1959 and made his first Riverside album (1959) in a trio with organist Melvin Rhyne. In 1960 the release of his album The Incredible Jazz Guitar of Wes Montgomery made him famous in the jazz world. Other than a brief time playing with the John Coltrane Sextet (which also included Eric Dolphy) later in the year, Wes would be a leader for the rest of his life.


COVER STOCK WITH LIGHT RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. SPINE EDGE WITH SOME FRAYING. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH A FAINT RUB MARK. THE
HIGH LUSTER VINYL BLANK WITH A VERY FEW LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION AND WHICH NEED TO BE LOOKED FOR TO BE SEEN. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.

?PLEASE
NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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 856 (GS 7.0.20 (856))


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