Eagles - Their Greatest Hits LP [Vinyl New] 180gm HQ Pressing FREE SHIP

$

20

COVER CONDITION. MINT
RECORD CONDITION. MINT
ALL RECORDS ONLY VISUAL GRADES SEE GRADING CHART BELOW THANKS FOR LOOKING AND FEEL FREE TO CONTACT ME WITH ANY ?'S COMBINED SHIPPING AVAILABLE 

ALL USA ORDERS WILL BE SENT VIA MEDIA MAIL. ALL USA ORDERS WILL INCLUDE DELIVERY CONFIRMATION AND ONLINE TRACKING FOR YOUR CONVENIENCE . ________________________________________________________________________________ Mint (M)   Absolutely perfect in every way. Certainly never been played, possibly even still sealed.(More on still sealed under "Other Considerations"). Should be used sparingly as a grade, If at all.
Near Mint (NM)   A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly)that no record is ever truly perfect. 
The record should show no obvious signs of wear. Covers should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. 
An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. 
Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. 
Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.
Excellent (EX)  A Excellent (EX) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. 
Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Very Slight warps that do not affect the sound are "OK". 
The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. 
Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Excellent (EX) record highly acceptable. Excellent Minus (EX-) An LP or cover that just has a little more pronounced flaws than the EX grade but not quiet VG+ Very Good+ (VG+)  Many of the defects found in a EX record will be more pronounced in a VG+ disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches 
Covers may have a small amount of writing, Slight seam splits and tears to the spine edges.The same will be true of inner sleeves. However, it will not have all of these problems at the same time, only two or three of them. 
Very Good (VG) Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be much more evident upon playing, Groove wear and lose of gloss, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. 
Covers may of writing, Large seam splits and tears to the spine edges.Ring Wear will be very visible.The same will be true of inner sleeves.  
Good (G), Good Plus (G+)   Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). 
A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. 
It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.

Poor (P), Fair (F)   The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon  __________________________________________________________________________________ Here is some wiki artist info for you!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

1971–1973: Formation and early releases[edit]

The Eagles began in early 1971, when Linda Ronstadt and then-manager John Boylan recruited local musicians Glenn Frey and Don Henley for her band.[6] Henley had moved to Los Angeles from Texas with his band Shiloh to record an album produced by Kenny Rogers,[7] and Frey had come from Michigan and formed Longbranch Pennywhistle; they had met in 1970 at The Troubadour in Los Angeles and became acquainted through their mutual record label, Amos Records.[8][9] Randy Meisner, who had been working withRicky Nelson's backing band, the Stone Canyon Band, and Bernie Leadon, a veteran of the Flying Burrito Brothers, also later joined Ronstadt's group of performers for her summer tour promoting the Silk Purse album.[6][10]

While on the tour, Frey and Henley decided to form a band together and informed Ronstadt of their intention. Frey later credited Ronstadt with suggesting Leadon for the band, and arranging for Leadon to play for her so Frey and Henley could approach him about forming a band together. They also pitched the idea to Meisner and brought him on board.[11] These four played live together behind Ronstadt only once for a July concert at Disneyland,[6] but all four appeared on her eponymous album.[12] It was later proposed that J. D. Souther should join the band, but Meisner objected.[13] The four were signed in September 1971 to Asylum Records, the new label started by David Geffen, who was introduced to Frey by Jackson Browne.[14] Geffen bought out Frey's and Henley's contracts with Amos Records, and sent the four to Aspen, Colorado to develop as a band.[15]Having not settled on a band name yet, they performed their first show in October 1971 under the name of Teen King and the Emergencies at a club called The Gallery in Aspen.[16][17] Don Felder credited Leadon with originating the name of Eagles for the band during a peyote and tequila-influenced group outing in the Mojave Desert, when he recalled reading about the Hopis' reverence for the eagle.[18] Accounts however vary, and J.D. Souther suggested that the idea came when Frey shouted out, "Eagles!" when they saw eagles flying above.[19] Steve Martin, a friend of the band from their early days at The Troubadour, recounts in his autobiography that he suggested that they should be referred to as "the Eagles", but Frey insists that the group's name is simply "Eagles".[20] Geffen and partner Elliot Roberts initially managed the band; they were later replaced byIrving Azoff while the Eagles were recording their third album.[21]