Jazz 78 RPM NORMAN GRANZ-The Jazz Scene signed #2001- RECORD BOOK SET RARE
  $   243

 


$ 243 Sold For
Jan 24, 2012 Sold Date
Jan 17, 2012 Start Date
$   10 Start price
8   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Thanks for checking my 78 RPM Jazz  & 78 RPM Jazz  Box-Sets auction of over 100 items, enjoy!

Copy # 2001

This is the limited-edition set (5000 copies world-wide)  This original set is VERY nice.

COVER CONDITION:No tears or splits in cloth, the 4th sleeve has a torn envelope flap(included). The binding is strong and intact all pictures are still bright with no tears, finger prints, writing or major damage(one photo has a fold mark). RECORD CONDITION: #1: E-   #2: E-   #3:E-   #4:E-  #5:E-  #6: has a little more wear than the others but still plays E- or better,all disc have minimal groove wear and still have the shine & luster of a well used but cared for set.    

set weighs 7lbs. priority shipping at the very least is a must for international.

A gorgeous cloth-bound album which contains 6-12-inch 78rpms as well as many b/w photos (taken by Gjon Mili).

Inside The Groove

A dream album - capturing a true gem of “The Jazz Scene” in the late 1940s by Norman Granz.

(notes)

This famous 78rpm album, released in 1949, definitely was the product of “Norman Granz' dream”.

The album consists of 12 tracks of various styles, from great mainstream sessions such as Lester Young Trio and Willie Smith Quintet; Duke Ellington's small combo session with strings; Neal Hefti's huge orchestra with Charlie Parker's alto sax overdubbed; Coleman Hawkins's magnificent tenor solo; Machito's latin ensemble; Charlie Parker's awesome quartet session; Bud Powell Trio's yet another fine performance; to avant-garde/abstract big-band by Ralph Burns, George Handy...

What makes this album so special (as well as superb quality of every performance) is the well-manufactured cloth-bound album itself, and dozen of great b/w photographs by Gjon Mili. This album itself surely represents what the Jazz scene was like in the 1940s, from Norman Granz' own perspective.

 

DISC 1 (Duke Ellington Sides) SIDE-A DISC 1 (Duke Ellington Sides) SIDE-B 2077-1 Sono (Ellington) - 2078-5 Frustration (Ellington) - DISC 2 (Neal Hefti Sides) SIDE-A DISC 2 (Neal Hefti Sides) SIDE-B 2071-5 (62VK205) Repetition (Hefti) - 2072-6 Rhumbacito (Hefti) - DISC 3 SIDE-A (Lester Young Side) DISC 3 SIDE-B (Coleman Hawkins Side) 2198-1 (62VK226) I Want To Be Happy (Youmans - Caesar) - 2073-1 (63VK641) Picasso (Hawkins) - DISC 4 SIDE-A (Ralph Burns Side) DISC 4 SIDE-B (George Handy Side) 2075-5 Introspection (Burns) - 2076-7 The Bloos (Handy) - DISC 5 SIDE-A (Charlie Parker Side) DISC 5 SIDE-B (Willie Smith Side) 2081-5 The Bird (Parker) - 2074-8 Sophisticated Lady (Ellington) - DISC 6 SIDE-A (Machito Side) DISC 6 SIDE-B (Bud Powell Side) 2172-3/4 (C 299) Tanga (Bauza) - 2199-1 (62VK234) Cherokee (Noble) -

2077, 2078: Duke Ellington and his Orchestra
Harry Carney (bs),
Billy Strayhorn (p), Fred Guy (g), Oscar Pettiford (b), Sonny Greer (ds),
unidentified strings section.
Duke Ellington (arr),
Recorded in New York City, 1949.

2071, 2072: Neal Hefti's Orchestra
Doug Mettome (tp), Al Porcino (tp), Ray Wetzel (tp),
Bill Harris (tb), Bart Varsalona (tb), Vincent Jacobs (frh),
John LaPorta (cl),
Charlie Parker (as overdubbed on 2071),
Sonny Salad (as), Murray Williams (as),
Pete Mondello (ts), Flip Phillips (ts), Manny Albam (bs),
Manny Fidler (vln), Sid Harris (vln), Sam Kaplan (vln), Harry Katzman (vln), Gene Orloff (vln),
Ziggy Smirnoff (vln), Nat Nathanson (vla), Fred Ruzilla (vla), Joe Benaventi (vlc),
Tony Aless (p), Curly Russell (b), Shelly Manne (ds),
Diego Iborra (cga, bgo), Neal Hefti (arr, cond).
Recorded in New York City, December 1947
(Charlie Parker's overdub recorded in Autumn 1948).

2193: Lester Young Trio
Lester Young (ts), Aye Guy (aka Nat King Cole) (p), Buddy Rich (ds).
Recorded at Radio Recorders, Hollywood, CA in March or April, 1946.

2073: Coleman Hawkins Solo
Coleman Hawkins (unaccompanied tenor sax solo).
Recorded in 1948 (or January 1945).

2075: Ralph Burns and his Orchestra
Sonny Berman (tp), Conrad Gozzo (tp),
Bill Harris [1] (tb), Ollie Wilson (tb), Vincent De Rosa (frh),
Harry Klee (as, cl, fl), Hal McKusick (as, cl, fl),
Herbie Steward (ts), Lucky Thompson (ts), Chuck Gentry (bs),
Dodo Marmarosa (p), Arvin Garrison (g), Red Callender (b), Don Lamond (ds),
Ralph Burns (arr, dir).
Recorded in Los Angeles, CA, October 1946.

2076: George Handy and his Orchestra
Sonny Berman (tp), Pete Candoli (tp), Conrad Gozzo (tp),
Al Killian (tp), Dale Pearce (tp),
Bill Harris (tb), Ed Kusby (tb), Ollie Wilson (tb),
Vincent De Rosa (frh), Evan Hall (frh)
Harry Klee (fl, cl, as), Hal McKusick (as),
Julius Jacobs (oboe), Robert Swanson (bassoon), Arthur Fleming (contrabassoon),
Herbie Steward (ts), Lucky Thompson (ts), Chuck Gentry (bs, b-cl),
Harry Bluestone (vln), Robert Jamison (vln), Carl Walker (vln), Arthur Krafton (vlc),
Dodo Marmarosa (p), Arvin Garrison (g), Red Callender (b), Don Lamond (ds),
Jackie Mills (per), Jimmy Pratt (per), George Handy (arr, dir).
Recorded in Los Angeles, CA, October 1946.

2081: Charlie Parker Quartet
Charlie Parker (as), Hank Jones (p), Ray Brown (b), Shelly Manne (ds).
Recorded in New York City on February 10, 1949.

2074: Willie Smith Quintet
Willie Smith (as),
Dodo Marmarosa (p), Barney Kessel (g), Red Callender (b), Jo Jones (ds).
Recorded in Los Angeles, CA circa November 1947.

2172: Machito and his Orchestra
Mario Bauza (tp), Frank “Paquito” Davilla (tp), Bob Woodlen (tp),
Gene Johnson (as), Fred Skerritt (as),
Jose Madera (ts), Flip Phillips (ts), Leslie Johnakins (bs),
Rene Hernandez (p), Roberto Rodriguez (b),
Luis Miranda (cga), Jose Mangual (bgo), Ubaldo Nieto (tim),
Machito (arr, cond).
Recorded in New York City, January 1949.

2199: Bud Powell Trio
Bud Powell (p), Ray Brown (b), Max Roach (ds).
Recorded in New York City circa February 1949

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SHIPPING RATES FOR 78's.

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78rpm Record Grading Each record is graded carefully and conservatively using the standard VJM 78rpm grading system (chart below).
Please bid with confidence, if you are not happy with any record just return it for a full refund.
Shipping

USPS Media Mail inside the US is $4 for the first record, $1 for each additional record (each additional item will double the amount of packing material used). Priority Mail inside the US is $8 for the first record, $1 for each additional record. (78's will be packed between 4 pieces of cardboard and 4 pieces of bubble wrap and packed tightly).  I'll ship within 3 business days of receiving payment.
Free delivery confirmation is included in US. 

Shipping to Canada is $10 for the first record, $2 each additional record via USPS First Class Mail International.

Anywhere overseas (UK, Europe, Japan, Australia, Brazil, etc.) is $20 for the first record, $4 for each additional record via USPS First Class Mail International.  Registered or Express Mail are available for an additional cost, and I reserve the right to require either of those services for particularly valuable packages.

Please feel free to email with any questions before bidding or for proper shipping quote.

Payment Methods I prefer PayPal.    
                                                      THANK YOU AND HAPPY BIDDING!

VJM Grading System

As new and unplayed 

N-   Nearly Mint, but has been played. No visible signs of wear or damage.

E+  Plays like new, with very, very few signs of handling, such as tiny scuffs from being slipped in and out of jackets.

   Still very shiny, near new looking, with no visible signs of wear, but a few inaudible scuffs and scratches.

E-   Still shiny but without the lustre of a new record, few light scratches. 

V+   V+ is an average condition 78 in which scuffs and general use has dulled the finish somewhat. Wear is moderate but playing is generally free from distortion. Surface noise not overly pronounced. 

V    Moderate, even wear throughout, but still very playable. Surface noise and scratches audible but not intrusive.

V-   Quite playable still, but distortion and heavy greying in loud passages. Music remains loud in most passages. Surface noise and scratches well below music level.

G+   Grey throughout but still serviceable. Music begins to sound muffled. Heavy scratches.

G    Quite seriously worn and scratched, but music level is still higher than surface noise.

G-   Music still prominent, but wear and scatch damage extensive.

    Most of music remains audible over surface noise, but listening now uncomfortable.

P     Unplayable.




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