Stokowski RHAPSODIES Analogue Productions AAPC 2471 (MINT)
  $   24

 


$ 24 Sold For
Oct 27, 2017 Sold Date
Oct 12, 2017 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Stokowski RHAPSODIES Analogue Productions AAPC 2471

Tracklist

A1 Hungarian Rhapsody No. 2 In C-Sharp Minor Composed By – Franz Liszt A2 Roumanian Rhapsody No. 1 In A Op. 11 Composed By – George Enescu
B1 The Moldau Composed By – Bed?ich Smetana B2 The Bartered Bride: Ouverture Composed By – Bed?ich Smetana

*(all photos are of the actual item)

  • Manufactured For – Analogue Productions
  • Pressed By – Quality Record Pressings

  • Conductor – Leopold Stokowski
  • Engineer – Robert Simpson (6)
  • Lacquer Cut By – Ryan Smith (2)
  • Orchestra – RCA Victor Symphony Orchestra
  • Producer – Peter Delheim
  • Sleeve Notes – Leopold Stokowski

Notes

"Limited Edition: Less [sic] than 1,000 records per stamper. Released in limited quantities."

Barcode and Other Identifiers

  • Barcode: 753088247118

RCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound!

Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound

Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings!

"These records are definitive." — Michael Fremer, editor, AnalogPlanet.com

Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. http://www.analogplanet.com/content/gruvy-awards

"These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound

Maestro Stokowski is at the podium and Bob Simpson is at the 3-track Ampex recorder to capture the Rhapsodies from Liszt, Enesco and Smetana that give this issue its title. This is titanic sound that will sink most speakers and amps for that matter. A must. The original 3-track session tapes were used in mastering for LPs and SACDS. 



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